The media’s restraint during Erin Patterson’s 10-week trial was lifted following her guilty verdict on Monday, leading to a flood of coverage and commentary. The trial, which captivated public attention, centered around Patterson’s role in a triple murder involving poisonous mushrooms.
Photographs of Patterson in a prison van, taken in May, were published widely, with media outlets purchasing them from AFP for over $1,500 each. The release of trial exhibits, including footage of the infamous “deadly beef wellington,” further fueled the media’s appetite. The case has sparked an unprecedented level of commentary and analysis, with various media outlets offering their perspectives.
The Media’s Response
The Australian newspaper used psychedelic-style imagery to illustrate its coverage, featuring Erin Patterson superimposed on colorful fungi. Associate Editor John Ferguson described Patterson as “cold, mean, and vicious,” while Claire Harvey criticized the prosecution for not presenting a clear motive, labeling Patterson’s actions as “domestic violence coercive control.”
Meanwhile, the Daily Mail published a first-person piece by veteran crime reporter Wayne Flower, who described his experiences covering the trial in Morwell. Flower’s account, which he likened to “gonzo-style journalism,” detailed the challenges he faced, including interactions with locals and personal struggles.
“At home, a long way away, my life and family were imploding,” Flower wrote. “Days after my 50th birthday, my partner of 24 years told me she no longer loved me.”
Daily Mail Australia’s editor, Felicity Hetherington, defended Flower’s piece as a “color piece” by a seasoned reporter. However, the publication faced criticism for sensational headlines, such as one describing the “toxic web of lesbian trysts” in the prison awaiting Patterson.
Remembering the Victims
Amid the sensational coverage, the ABC published a story highlighting the altruistic nature of the murder victims: Don and Gail Patterson and Heather Wilkinson. Locals remembered them as people who lived selflessly and with humor, grace, and humility.
“The world would be a better place if we could all be a bit more like them,” one local commented.
The Latrobe Valley Express, a small local newspaper, found itself at the center of the media storm. Editor Liam Durkin described the experience as a “great learning opportunity,” as the trial attracted international attention.
ABC’s Restructuring and New Show
In a separate development, the ABC faced internal criticism over its restructuring plans. Staff were invited to provide feedback, but some were surprised to receive responses that appeared to be generated with AI assistance. This raised concerns about the authenticity of the feedback process.
In an unexpected move, the ABC announced a new show, “Crime Night!,” combining true crime and comedy. The show, described as a “comedy true-crime panel,” aims to explore real-life cases through humor and criminology. Despite the timing, the ABC expressed excitement about the innovative format.
“Australians can’t get enough of True Crime, and we’re excited to bring this innovative format to ABC screens,” said Rachel Millar, ABC’s head of entertainment.
The announcement came shortly after the success of the ABC’s true crime podcast “Mushroom Case Daily” and the commissioning of a drama about the Patterson trial.
Fashion in Court
On a lighter note, the Courier-Mail and Daily Telegraph combined court reporting with fashion coverage, highlighting the attire of individuals appearing in court. The Brisbane outlet featured an online piece asking, “who wore it best?” in the courtroom, while the Daily Telegraph focused on designer fashion worn by socialites facing legal proceedings.
These stories seamlessly blended news of the crimes with details of the outfits, adding a unique angle to court reporting.
As the media continues to dissect the Erin Patterson case, the coverage raises questions about the role of sensationalism and the balance between reporting facts and providing entertainment. The trial’s impact on the media landscape underscores the ongoing fascination with true crime and the diverse ways it can be presented to the public.
