Hollywood trade publication Deadline has reported that Peter Hoar, the Emmy-nominated director known for his work on “The Last of Us,” is spearheading a reboot of the cult British sci-fi series “Blake’s 7.” This reboot marks a significant step for Hoar, who has recently launched a production company named Multitude Productions. Alongside executive producer Matthew Bouch and West End producer Jason Haigh-Ellery, Hoar aims to revive the beloved series, which last aired on BBC One 45 years ago.
The announcement comes as Hoar and his team have acquired a range of intellectual properties, with “Blake’s 7” being a standout project. The reboot is set to go out to buyers soon, with Bouch expressing a strong desire for it to find a home at the BBC. However, they are also considering co-funding options from American streaming services and European networks, reflecting the current climate where long-running genre series face challenges in maintaining momentum amid tightening budgets.
The Legacy of “Blake’s 7”
“Blake’s 7” originally aired in January 1978, created by Terry Nation, a prolific British television scriptwriter renowned for his work on “Doctor Who” and the creation of the Daleks. The series carved a niche for itself by offering a darker take on science fiction storytelling, following the journey of resistance fighters led by Roj Blake, portrayed by Gareth Thomas. Blake’s mission to overthrow the totalitarian Terran Federation was a narrative that resonated with audiences, offering a blend of action, drama, and political intrigue.
The show was notable for its resourceful use of limited budgets, a fact that Hoar himself acknowledges. “The ‘Blake’s 7’ story is legendary because they were given the [70s UK police show] ‘Softly, Softly’ slot that was intended for police drama with a budget intended for one big set and a few location shoots,” Hoar remarked. “At the time, it felt like it meant something. Those shows got into my veins. I could tell they didn’t have money, but I was able to compartmentalize and enjoy the ride knowing that the sets wobbled.”
Reviving a Cult Classic
Hoar’s vision for the reboot draws parallels with recent successes in the sci-fi genre, such as “Andor.” He believes that the appeal of such series lies not in their high budgets but in their integrity, wit, and sophistication. This perspective is shared by Bouch, who reflects on the nostalgia and abundance of genre material during the 70s and 80s. “We are looking to the international market and seeing if there is a way of dovetailing that British low-budget sensibility with international markets,” Bouch stated.
Over the years, “Blake’s 7” has maintained a dedicated fanbase, with various rumors of a reboot circulating. The series has expanded into novels, audio dramas, and a serialized comic, creating a rich, albeit fragmented, universe. Hoar and Bouch are keen to tap into this legacy, employing a multi-writer model to bring fresh perspectives and creativity to the project.
Challenges and Opportunities
The move to reboot “Blake’s 7” comes at a time when the television industry is experiencing significant shifts. With the contraction of the U.S. market and the need for more economical production methods, Hoar and Bouch’s approach could set a precedent for future projects. Their collaboration with some of Britain’s most prominent showrunners, including Russell T. Davies and Jack Thorne, positions them well to navigate these challenges.
Looking ahead, the success of the “Blake’s 7” reboot will depend on its ability to resonate with both nostalgic fans and new audiences. As Hoar and his team prepare to pitch the series to potential buyers, the industry will be watching closely to see how this beloved classic is reimagined for a modern era.
The reboot of “Blake’s 7” represents not just a revival of a cult series but also a test of innovative production strategies in a rapidly evolving entertainment landscape. As Hoar and Bouch continue to develop the project, the anticipation among fans and industry insiders alike is palpable.
